It
is said that the 20th century, the king is a jewelry manufacturer Peter
Carl Fabergé, he is unmatched jeweler tsarist period. Question: After a century now, today's manufacturers who can enjoy the same privilege as a model for this century?
"The
first name - I have tired of it - is the JAR." Christie said François
Curiel, president of jewelry, JAR is Joel Arthur Rosenthal, the mystery
of the American-born artist, who works out of Paris Studios , usually two to three times the auctioneer Thomas jewelry selling price.
JAR
set up a company 33 years, a thriving real estate market has led
jewelry jewelry collectors of a signature (a brand) are interested in
the works. Particularly
in the last decade, the fine jewelry manufacturing renaissance - and
between the maverick designer among the traditional French family - have
started to discuss the work on the next generation of the topic should
be preserved.
Notes
with the date off by the way is now time, and the use of diamond, clean
geometric lines to define the 20th century, 20's to 30's Art Deco
movement in such a way to describe the characteristics of the period is
still too early, but many experts agreed
that both non-traditional or traditional were willing to believe that
the material is a sign of the 21st century jewelers.
Recently,
in New York, one morning, James de Givenchy, the fashion icon's nephew,
said he designed the fork by bone y-shaped diamond ring refers to the
details of the elegant single place. "This
is what we want to highlight the differences," he said, nothing to
worry about the clamp on the drilling 7 kt D-color flawless diamond.
Mr.
Givenchy when Sotheby's co-diamond-year-old, has been included in the
value and aesthetic value of the balance between doing, he created the
works, with steel, rope, ceramic mosaic millions of dollars in precious
stones, but never mentioned the gold.
"Precious value of the diamond itself, I just want to say: 'This is what I see.'" He said. "I'm not in to the diamond color, I framed to the diamond."
However, not all jewelers are as rigorous as souls of Mr. Givenchy pious heart. "I
never want to know the value of diamonds," Daniel Brush the American
artist and jeweler, said he recalled one of his most famous works: a
pink diamond inlaid wood power system "rabbit bracelet."
Will
know the value of diamonds when they are used to feel fear: "For me,
they are pink, very attractive," he said, when Diamond says, "It's a bit
like Cinderella Like a dream. "
Unlike
his peers as the technical craftsmen rely on a team to accomplish their
dreams, Brush jewelry all along, Mr. creation with his hands. He
has produced work wear: as a series of stainless steel micro-diamond
brooch, as well as more conceptual work: a complex of aluminum cut
engagement ring, 3.5 cm in diameter, almost 9, just as wide as a hand also 1.5 inches thick, almost can not wear to a finger.
"I
love the idea of a wedding ring," Brush said Mr., "but if you do not
wear them, but to wrap them in a box, then put them together once a
year?"
Former
Georgetown University professor of fine arts, Mr. Brush, in his
philosophical approach toThomas
Bracelet making jewelry, jewelry and art to fill the
gully between, there is a collection of works of interest to
connoisseurs of the next wave of fertile soil collection, New York,
Bonhams jewelry Leader Susan Abeles said, citing Art Smith and John Paul Miller is a contemporary example.
Ms.
Abeles said: "These teachers have started in the jewelry art, I am very
interested in how they integrate the arts into the size, scale and wear
resistance.
Take an example, Mr. Rosenthal, he politely declined to discuss his requirements by e-mail jewelry. "Well,
I'm not good with words to express what I did," he said, "I believe an
artist should keep their mouths shut like a kind of artist."
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